La famille Bellelli-like a snapshot photoi the girl on the left looking straight to the painter (lens ?)-
Photographers truely avoids the models looking straight to the lens. But Degas had painted some of his paintings with figures looking at the painter. He had broken most of the classical rules of photography before they have ever born. As an addition to these he used "uncanny" framings and placing figures in a weird composition. He strangely splits the most crucial figures on canvas.
Ballettprobe-the empty space on the right and the crowded and also splited left side-
Place de la Concorde-looks like a contemporary snapshot street photography-
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